By Andy (Red)Smith
The end is nigh. The end of the long road to publication, that is. Breaking the Lore will be published on April 15th, and I will have reached my destination. I’m officially listed on Canelo’s website as one of their authors, I’ve seen the book on pre-order on Amazon, and I’m still pinching myself. So this is the last of these articles that I’ll be writing. (What do you mean “Hoorah!”?!)
Having got Breaking the Lore off to the publishers for them to do all their stuff (whatever that entails, as I said last time), I’ve spent the last few months writing a sequel at breakneck pace. I’m very grateful to have a great bunch of folks in South Manchester Writers’ Workshop who have offered comments and critiques, and generally helped to keep me on track. The sequel should be out in July (and might even have a name by then.) At the moment it is in the editing stage, prior to it going off to the publishers. Then I might have a break!
Getting to this point has been a long and sometimes rocky road. I’m very grateful to the WWJ team for their support along the way. If I could offer any advice to would-be authors travelling the same road it would be: Keep writing the novel that you want to write. Make it as good as you can. Hope for a bit of luck along the way. And, most of all, keep going. Writing a novel is big undertaking, even if you’re only doing it one word at a time. As the ancient Chinese proverb says: “A journey of a thousand miles begins with a single step. Unless you go by car. And somebody carries you from your house to the car. And from your bed to the front door.” (Luckily enough, the ancient Chinese had a very good marketing team who refined the proverb a tad.)
So what next for me? Sell 14 million copies and retire to The Bahamas? Probably not. But you never know…..
Thanks for listening and best of luck in all of your endeavours.
Andy
(Breaking the Lore will be published on Kindle, Kobo, etc. from April 15th. Under my pen-name Andy Redsmith. Available on Amazon for pre-order now!)
Message from the Words with JAM team: We couldn't be happier to see Andy's First Page Winner emerge as a complete novel, with a sequel in the pipeline. Love that cover! Many thanks to Andy for sharing his journey and we encourage everyone to discover Inspector Paris and Breaking the Lore. Good luck, Andy, and please come back once in a while to share your successes. Cheers!
Showing posts with label Andy Smith. Show all posts
Showing posts with label Andy Smith. Show all posts
Friday, 22 March 2019
Sunday, 23 December 2018
The Long Road to Publication: Part 7
by Andy Smith
SO: I’ve recovered from the shock of getting a publishing contract. What happens next? Two things.
First, my completed novel ‘Breaking the Lore’ disappears into the publisher’s offices for copy editing, proof reading and various other processes. What these are, I don’t know. There seems to be lot involved in turning “finished manuscript” into “book ready for publication”, and I have no idea what mysterious practices go on to make that happen. (I’m sure the WWJ folks could explain it, if they wanted a suggestion for another article?) Anyway, all I know is it seems to take longer than you would imagine!
Now, being sensible and fair, I know there’s more to it than that. My book is just one of many being published by Canelo, and it has to be fitted into a suitable slot in the overall schedule. The time of the proofreaders, editors, cover designers, etc. has to be allocated to work on lots of different titles. I do know that, and I do appreciate that there are a lot of things which have to be done - but I still want to see it available! Unfortunately, I’ve got to wait until April.
Second, I need something to keep me occupied until then. As I said last time, I’ve signed a two-book contract with Canelo. The idea is that book 2 (with working title very subtly not mentioned) will be out next summer. Before that, however, I’ve got to write it. So I’m working what feels like 24X7 on doing so. I’d started on a sequel some time back, although very slowly. At the time I was more concerned with getting somebody to take on the first one. Now that they have done, I’ve got no more excuses. Crack on.
So far it’s going reasonably well (I think), but the next few months will probably be a bit hectic. If I had to give myself some advice I would say: work on the assumption that the first book will (eventually) be taken on, and get moving on the second one earlier than I have done.
Fingers crossed that both books do well (I’ll hopefully confirm publication dates next time.) However, if they do, then book 3 will probably need to be written 25X7! For now though it’s time to have a break for Christmas.
Until next time, Merry Humbug.
SO: I’ve recovered from the shock of getting a publishing contract. What happens next? Two things.
![]() |
Photo by Alex Loup on Unsplash
|
Now, being sensible and fair, I know there’s more to it than that. My book is just one of many being published by Canelo, and it has to be fitted into a suitable slot in the overall schedule. The time of the proofreaders, editors, cover designers, etc. has to be allocated to work on lots of different titles. I do know that, and I do appreciate that there are a lot of things which have to be done - but I still want to see it available! Unfortunately, I’ve got to wait until April.
Second, I need something to keep me occupied until then. As I said last time, I’ve signed a two-book contract with Canelo. The idea is that book 2 (with working title very subtly not mentioned) will be out next summer. Before that, however, I’ve got to write it. So I’m working what feels like 24X7 on doing so. I’d started on a sequel some time back, although very slowly. At the time I was more concerned with getting somebody to take on the first one. Now that they have done, I’ve got no more excuses. Crack on.
![]() |
Photo by Wadi Lissa on Unsplash
|
So far it’s going reasonably well (I think), but the next few months will probably be a bit hectic. If I had to give myself some advice I would say: work on the assumption that the first book will (eventually) be taken on, and get moving on the second one earlier than I have done.
Fingers crossed that both books do well (I’ll hopefully confirm publication dates next time.) However, if they do, then book 3 will probably need to be written 25X7! For now though it’s time to have a break for Christmas.
Until next time, Merry Humbug.
Wednesday, 19 September 2018
The Long Road to Publication - Part 6
By Andy Smith
By Gum, it’s been a while since we had one
of these, isn’t it? The good folks at WWJ have been running their
creative writing workshops over the summer, so they asked me to hold off
doing any more Long Road stuff until they’d finished.
And I did. So what’s been happening since last time? Well, quite a lot
actually…
To be more precise, I signed a two-book contract with Canelo Digital Publishing (https://www.canelo.co/), for Breaking the Lore and the currently-in-progress sequel. I think the word I’m looking for (still) is “gobsmacked”. Breaking the Lore will be available in Spring 2019 and book 2 will follow in the Summer.
Andy
Hello!

Let’s rewind a bit. Back in April I was getting
nowhere, with lots of letters out to agents and publishers and lots of
‘no thanks’ in reply. I was, to be honest, getting close to chucking the
whole thing in. I’d also gone through the process
of trying to work out if my entire submission was wrong, and had asked
the WWJ Clinic to dissect my cover letter and synopsis. I got some great
feedback from the Clinic (as discussed in LRTP part 5 in May.) I
started looking at re-writing the cover letter
and synopsis, based on this feedback.
Then, out of the blue, I had
three replies which weren’t ‘no thanks’. An agent and two independent
publishers all said they’d enjoyed my submission and asked me to send
the full manuscript. Next thing you know, I’m in
discussions about who to sign up with. In other words: I GOT A
PUBLISHING DEAL!!!!!
![]() |
Congrats to Andy from the team at WWJ! |
To be more precise, I signed a two-book contract with Canelo Digital Publishing (https://www.canelo.co/), for Breaking the Lore and the currently-in-progress sequel. I think the word I’m looking for (still) is “gobsmacked”. Breaking the Lore will be available in Spring 2019 and book 2 will follow in the Summer.
You might remember from previous posts that I’ve talked about the need for a pseudonym, since ‘Andy Smith’ is not exactly a memorable name. Consequently, both books (and maybe more?) will come out under the name of ‘Andy Redsmith.’ (A redsmith is someone who works with copper, and I’m a Smith working with A copper - geddit?) You can find Andy Redsmith on Facebook, AndyRedsmith (no space) on Twitter and “his” website http://www.andyredsmith.com/. On all of them there’s a photo of me, but they’re not bad apart from that.
So what does all this mean in regards to what I’m writing here? Two things.
First: I’ve spoken in
previous posts about how I thought my submission was OK, provided it got
to people who were interested in the sort of thing I was writing, but I
thought I’d missed my chance with all of
them. Turns out I hadn’t. Perseverance paid off. So everyone: don’t
give up. Keep going.
Second: the three
replies who showed an interest all came before I’d had chance to rewrite
my cover letter and synopsis, i.e. before I had chance to include the
suggestions from the WWJ Clinic. The advice from
the Clinic was very good and would doubtless have given me a better
shot if I had to carry on submitting, but I didn’t need to use it. That,
basically, is luck. BUT make sure your submission is as good as
possible, so that when your lucky break comes around
you are in the best possible position to make use of it.
If the WWJ folks will
let me, I’ll keep posting things on here to keep you updated on release
dates etc. The long road to publication has turned out to be a long and
hard road, and we haven’t reached the end
yet. But I’m on the way. I hope I’ll see you there!
Photo by Alasdair Elmes on Unsplash
Wednesday, 18 April 2018
The Long Road to Publication - Part 4

By Andy Smith
All quiet on the western front at the moment as I am in ‘waiting to hear back from agents’ mode. Again. Had some rejections, sent it off to some others, still waiting to hear back from others. Have also sent it off to some publishers. Yes, there are still some who will accept un-agented submissions, but it takes them just as long to get back to you.
At this point we should insert Standard Rant Number 642, including “why does it take so long?”, “every agent and publisher wants things in a slightly different format”, “the whole process is completely demoralising”, etc. I doubt there’s much I could add which everyone in the same boat hasn’t already thought!
I’ve also been looking at some of the submissions I sent off a while back (before the First Page competition). I can see that some of my earlier submissions are basically not as good as the things I’m sending out now, in terms of the cover letter, the synopsis and getting the novel as polished as it can be.

There might be a bit of a problem with running out of agents who deal in the sort of stuff I’m writing. I started off sending it to those agents who I thought were most likely to be interested, but that means they got the not-so-good submission. Now I’ve refined and improved everything, I’m having to send it off to agents who might not be into my sort of writing. So they get this wonderful submission which isn’t really for them.

I will press on. Having realised that I may have shot myself in the foot early on, I’m still hoping to find an agent who does appreciate what I’m writing, and will also get the benefit of the new improved submission. We shall see.
WWJ NOTE: Andy has agreed to let The WWJ Clinic look at and suggest improvements to his cover letter and synopsis - stand by for next time.
Wednesday, 1 November 2017
The Long Road to Publication #2
By Andy Smith
Since last time I’ve been trying to figure out how to get my novel into readers’ hands. For the moment I’ve been sticking with the ‘submitting to agents’ route. (Other routes into publication are available, but you’ve got to try sending a submission letter which includes “and I won the First Page competition”, haven’t you?) I said I’d tell you how I was getting on. I also promised to tell you a bit more about how I’ve got a comic fantasy novel which mixes a few other things together. So let’s do them both at once, shall we?
Breaking the Lore is a fantasy comedy which follows the events of a very strange police investigation. In modern-day Britain, a policeman discovers the body of a crucified fairy. There’s an army of demons on the way, but before he can stop them the policeman must overcome one major problem: he doesn’t actually believe in magic. Unfortunately for him, this is a detective story with elves, dwarves, mystical beings, cigarettes, alcohol and lots of jokes. Think Inspector Morse, as written by Tolkien - after several plates of magic mushrooms.
Because it’s a comedy, you can get away with things that you couldn’t otherwise; and you can mix things up. So there are sci-fi references, which are thrown in as comedy pastiches. There’s love interest, which is there to give Inspector Paris a bit more character, and to make him uncomfortable for comedy purposes. There’s explanations of the world I’ve created so the reader knows that everything does hang together. (Because fantasy fans - me included - are big on coherent world building, even silly worlds. And the explanations are usually deflated with some more comedy anyway.) The detective story is what enables events to move along and provides a plot around which everything else takes place. But, basically, it’s a comedy, which just happens to involve lots of fantasy elements.
Also because it’s a comedy, you can sneak in things under the radar. Things like how people who are different from yourself are not necessarily bad, and can actually make a valuable contribution. I don’t beat anyone over the head with it, but that’s the underlying theme of the story really; something which I think is a very important message for the times we’re living in.
Now that’s how I see it. That’s how everyone who has read the whole story sees it too, and they’ve all enjoyed it. (Including Alison Morton, judge of the First Page competition, and a proper author with actual published books!) A few months ago I was a finalist in the Writing on the Wall ‘Pulp Idol’ competition, where I had to read out the first chapter to the judges and audience. Afterwards, I received feedback from numerous members of the audience who said “I’d buy that book.” They were people of both sexes, all ages, and readers of various genres. Recently I took part in the Sheffield Novel Slam, similarly involving reading out to the audience and getting their feedback, and I received a similar reaction: people telling me they liked it and wanted to hear more.
But, when I send it off to agents - slightly different response.
Like most people who try to get something published, I’ve got a growing pile of rejection emails. I’ve found that most of the time you either get no reply at all, or you get a variant on the “thanks but no thanks” message. I’m building a fair sized collection of a different type of rejection; one which basically says “your writing’s good, the story’s great, but I can’t sell it.” AARRGGHH!
Deep breath.
Conceivably I’ve got too many things going on in the book. Maybe I’m being too ambitious. However, I’ve got people telling me they want to buy my novel. I know for a fact that I’ve got a potential audience out there. I just need an agent who can help me to reach them. So if there are any of you reading this blog and want to be that one - please get in touch! My potential readers are waiting for you!
Since last time I’ve been trying to figure out how to get my novel into readers’ hands. For the moment I’ve been sticking with the ‘submitting to agents’ route. (Other routes into publication are available, but you’ve got to try sending a submission letter which includes “and I won the First Page competition”, haven’t you?) I said I’d tell you how I was getting on. I also promised to tell you a bit more about how I’ve got a comic fantasy novel which mixes a few other things together. So let’s do them both at once, shall we?
Breaking the Lore is a fantasy comedy which follows the events of a very strange police investigation. In modern-day Britain, a policeman discovers the body of a crucified fairy. There’s an army of demons on the way, but before he can stop them the policeman must overcome one major problem: he doesn’t actually believe in magic. Unfortunately for him, this is a detective story with elves, dwarves, mystical beings, cigarettes, alcohol and lots of jokes. Think Inspector Morse, as written by Tolkien - after several plates of magic mushrooms.
Because it’s a comedy, you can get away with things that you couldn’t otherwise; and you can mix things up. So there are sci-fi references, which are thrown in as comedy pastiches. There’s love interest, which is there to give Inspector Paris a bit more character, and to make him uncomfortable for comedy purposes. There’s explanations of the world I’ve created so the reader knows that everything does hang together. (Because fantasy fans - me included - are big on coherent world building, even silly worlds. And the explanations are usually deflated with some more comedy anyway.) The detective story is what enables events to move along and provides a plot around which everything else takes place. But, basically, it’s a comedy, which just happens to involve lots of fantasy elements.
Also because it’s a comedy, you can sneak in things under the radar. Things like how people who are different from yourself are not necessarily bad, and can actually make a valuable contribution. I don’t beat anyone over the head with it, but that’s the underlying theme of the story really; something which I think is a very important message for the times we’re living in.
Now that’s how I see it. That’s how everyone who has read the whole story sees it too, and they’ve all enjoyed it. (Including Alison Morton, judge of the First Page competition, and a proper author with actual published books!) A few months ago I was a finalist in the Writing on the Wall ‘Pulp Idol’ competition, where I had to read out the first chapter to the judges and audience. Afterwards, I received feedback from numerous members of the audience who said “I’d buy that book.” They were people of both sexes, all ages, and readers of various genres. Recently I took part in the Sheffield Novel Slam, similarly involving reading out to the audience and getting their feedback, and I received a similar reaction: people telling me they liked it and wanted to hear more.
But, when I send it off to agents - slightly different response.
Like most people who try to get something published, I’ve got a growing pile of rejection emails. I’ve found that most of the time you either get no reply at all, or you get a variant on the “thanks but no thanks” message. I’m building a fair sized collection of a different type of rejection; one which basically says “your writing’s good, the story’s great, but I can’t sell it.” AARRGGHH!
Deep breath.
Conceivably I’ve got too many things going on in the book. Maybe I’m being too ambitious. However, I’ve got people telling me they want to buy my novel. I know for a fact that I’ve got a potential audience out there. I just need an agent who can help me to reach them. So if there are any of you reading this blog and want to be that one - please get in touch! My potential readers are waiting for you!
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